how to commission new music

Relative Ease

As with any endeavor, the level of ease and success in the project will depend on the planning and preparation.   Professional composers can provide the necessary paperwork, and help with developing a plan -  for not just a new piece of music, but an entire event.

A First Step

Talking as soon as possible with the composer who may be commissioned will save much  time, and help confirm whether this is the composer who should be selected for the commission. In-demand composers plan their working calendar well in advance.  Recording samples and scores may be solicited to share with those in the decision making process who may not be intimately familiar with the composer's work.

During this first step, Jeffrey Hoover gathers information needed to assess the scope of the project.  Questions are asked to learn the instrumentation or voicing, length and level of ability required to perform the work, delivery date, and performance date.  This information will be used to calculate the cost of the new music.  Ideas for other activities, such as appearances or residencies, may also be discussed.

A Written Agreement

A professional contract is issued for the commission, spelling out the details.  A rider outlining additional activity expected of the composer (beyond writing the music itself) may be added.  It is important to remember that a composer is an artist, and all services provided need to be compensated for appropriately.  The contracts used to commission Jeffrey Hoover spell out these important details.  Sample Commissioning Contract

Consortium Commissions

This type of commissioning project has become a successful model for ensemble commissions in this past decade.  In a Consortium Commission, more than one performing organization or individual works together to commission a composer.  The commissioning cost can be divided between the organizations, and the composer has the benefit of receiving a performance from each of the consortium members.  This process works well for large scale works, but can also be effective in commissioning solos and ensembles as well.  Three basic considerations in organizing a consortium commission are:

Help with the Process

The selected composer can be the first source for advice on options and ideas in structuring the project. Regional Arts Organizations can assist organizations in a specific area with grant opportunities, contacts, suggestions, and other resources.  Meet the Composer is a non-profit organization that can help in the commissioning process.  Two key activities by this organization include:

Providing grants to help pay the cost of bringing a composer to the performance, and for residency activities; 

Publishing Commissioning Music: A Basic Guide. The guide is available free online.

http://www.meetthecomposer.org/publications.htm  

Meet the Composer
2112 Broadway, Suite 505
New York, NY
Telephone (212) 787-3601

http://www.meetthecomposer.org

The most important thing to know about any commissioning project is that a clear idea of what one wishes to accomplish will set the tone and shape the entire process - from manuscript sketches to performance.

© 2001 Jeffrey Hoover.  All rights reserved.